Oh yeah, this week’s New In Review is gonna be a good one: Real Friends have released their sophomore album The Home Inside My Head, and I am BEYOND stoked!! This album is the followup to their acclaimed debut full-length Maybe This Place Is The Same And We’re Just Changing. I also want to take some time first to say thank you to whoever reads my reviews/other blog posts. It really means a lot to me, and it’s been really fun with all of the pretty great albums that have been released this year so far. Which reminds me…let’s get this one started, shall we? The album opens with the heavy-hitter, “Stay In One Place.”Right away, the sound of the album’s production sets up how the rest of the album will sound: amazing! There’s an interesting incorporation of backup vocals in the chorus, which is not something the Illinois Sad Boys are known for. That being said, it’s working so far. And so far, this track is a surefire standout song. Great melodies, poetic lyrics, everything you want in Real Friends. Song number 2 is “Empty Picture Frames,” and it’s a bouncy little number. This is the song where the album’s title (and I guess the album artwork, as well) comes from. This song is definitely a vocal highlight on the album because there are a lot of different techniques/recording effects that are focused on in the song. The bridge is also groovy as hell! Definitely another powerful song that solidifies a one-two punch for the first two songs on this record. “Keep Lying To Me” is up next. This track feels like it could’ve been on the EP Put Yourself Back Together, but in reality, it trumps most of that EP anyway. Heavy guitars dominate the track, and the chorus has now become one of my favorites already!
Track 4 is “Scared To Be Alone,” which was the second single that was released prior to the album. I listened to this song a lot back when it was first released, and it is probably my favorite of the singles that were released; which is saying something, because all of the singles are amazing (but we’ll get to the rest of them shortly). Every single aspect of this song is perfection. From the vocal melodies, to the bit of punk in the drums, to the heavy guitars once again. It’s truly stunning, and that’s the only word that best captures the emotion that the song projects. Things begin to slow down with “Mokena,” song number five, and single number 4. Probably the saddest song the band has written since “I’ve Given Up On You” (on Put Yourself Back Together). It also has some of the most powerful/emotionally provoking lyrics the band has to offer. If they play this song live, tears will be shed. Song 6, and single number 3 “Mess,” picks the energy back up with a lively tune about who the narrator was throughout the last year, while claiming that he’s still a “Lost Boy” (reference to the song of the same name). This song actually could’ve been on the last album as a bonus track. The reason why I say bonus track is because it wouldn’t fully fit on that album. On this album, with this collection of songs, it does have a home.
The second half starts off with “Isolating Everything.” The song starts, and kicks you right in the gut, and it just doesn’t stop. The riffs in this song are crushing, and I do love the progressiveness (for lack of a better term) in the verses to show that it’s not just straight ahead 4/4. The only soft section in the song is in the bridge, and even that hits you in the gut. But then….it finishes! Leaving you wanting more!! “Well, I’m Sorry,” is up next, and this track is unapologetic in the best sense of the words. Hints of pop-punk cover the verses, whereas the choruses are half-timed to perfection. Mmmmmm, tasty (sorry about that). Another cool feature about this song: a sort of “guitar solo,” if you will. You’ll see why I put that in quotations when you listen to the song. Seriously, you should really listen to it. You’ll like it. I promise. Anyway, the next song is “Basement Stairs,” and it continues to pack that emotional gut punch, singing about getting over a breakup and thinking of the good times that were had. There is no “soft” moment in this song either, which is beautiful in its own right. It’s truly amazing that the excitement still hasn’t left me!!
“Door Without A Key” is track number ten. This track has one of the best choruses on the album. Bar none. The song as a whole is really flawless, but that melody, though. Makes me kick myself a little bit that I didn’t write it first! Same with the bridge, too, now that I listen to it. Dammit! Oh well. Song 11 is “Eastwick,” the only acoustic song on the album. That’s another thing about the band that I appreciate is that they put out powerful acoustic jams that are just as powerful as the electric jams (maybe even more powerful, at times). So add this to the pile of insanely great acoustic songs that the band has. This song also feels really short, even though it is 3 minutes. But I’m not even complaining about that. The album closer is “Colder Quicker.” This was the first song released as a song from the album, and the fact that it actually comes last on the album makes me very happy. This song, and “Scared To Be Alone,” really whetted my appetite for the album, and now that I’m listening to it as a closer, it’s just…I’m at a loss for words. I’m just gonna fucking cut it off right here and say this: GO BUY THIS ALBUM. You will not regret it at all!!
Standout tracks: The whole album is amazing 🙂