Part II of this week’s New In Review is commencing…NOW! The album we are looking at is First Day Back, the second full length album by the band Somos. For those that do not know, the band formed in 2012, and they hail from Boston MA. The band has previously released two split EPs (one with Sorority Noise and one with Have Mercy), and the tremendous debut album Temple Of Plenty. I will admit (and I apologize in advance), the first song that I heard by them was “Dead Wrong” on the radio, and at first I thought it was a Rise Against song *hangs head in embarrassment*. Reason being is because I thought vocalist Michael Fiorentino sounded like Tim McIlrath. However, after listening to Temple Of Plenty over and over again, I would compare Somos to bands that sound more like You Blew It! and Head North. After reading early reviews of First Day Back, one of them said that it sounded different than then first album and unpredictable at times; thus, my curiosity was sparked even more. So let’s do this thing!
The intro track “Slow Walk To The Graveyard Shift” is an atmospheric prelude that sets the listener up for something slow and somber, but instead goes into the next song “Violent Decline.” Somewhat upbeat music is coated with somewhat sad lyrics. The drums sound AMAZING on this track, which is actually one thing I admire about the band in general. The vocals also do not sound similar to the vocals on Temple, but they sound great nonetheless. They sound a little more mature, if you will. Up next is “Thorn In The Side,” which is the second single from the album. The upbeat tempo continues on this track, but the guitars are not as distorted as you would want them to be. The chorus on this track is pretty killer, too. “Problem Child” has a chill vibe to it. It is a pretty relaxing song, considering the lyrical content is about…well, a problem child. The final chorus in this song, however, brings a brief bounciness to the mix.
“Reminded/Weighed Down” brings the album back up after having the last three songs sound very similar to one another. Again, the drums are sick on this track! The vocal melody in the chorus is also simple, but super catchy, which is something that I have a fondness for. Track six, “Days Here Are Long,” brings back the atmospheric vibe that was featured on “Graveyard Shift.” Unfortunately, this songs feels a little incomplete. Then again, considering it’s the middle song, it could be considered more of an interlude. “Room Full Of People” might be my favorite on this album. Mellow, melodic guitar lines, intricate drumbeats, a thumping bass line, and the smoothest vocals ever make this song a masterpiece. It is also the first song on this album that is more than 3 minutes. “You Won’t Stay,” threw me for a loop. Synths and reverberated vocals start off the song, and it pretty much stays that way for the entirety of its duration. If their goal was to make an album that was more of an ambient vibe, this is one of the tracks that achieves this goal.
Next up is “Alright, I’ll Wait,” which was the first single released from this album. This song has the BEST chorus on the whole album. The guitars are also the “heaviest” here, which makes this song even sweeter, and the contrast between verse and chorus way better. The guitar interlude is also very pretty. “Bitter Medicine” is the shortest “full” song on the album, but this one also feels like a little interlude. Not a giant fan of this song because of that, unfortunately. Not much else to say about it, either. “Lifted From The Current” closes out this short LP on somewhat of a high note. The song doesn’t have a set structure, but then again, some of the songs on here do not have one, either. Using that formula on this song, on the other hand, actually works. On the other hand, the outro kinda disappoints me because it doesn’t sound complete. It just sounds anticlimactic.
If Somos’ goal was to make an album that sounded completely different than their first album, they definitely achieved their dream. While the album itself is only 27 minutes, there are some highlights on this album. That being said, it does feel too short/incomplete at times, especially on the more “ambient” songs on here. For someone listening to this record for the first time, I would say that it would have to take some getting used to, especially if you’re like me and worship Temple Of Plenty (which is something I usually don’t do when it comes to new music by newer bands). Either way, I will support this band because the music that they do make is pretty amazing. However, if I were to suggest where to start with this band, it would not be this album.
Standout tracks: “Alright, I’ll Wait,” “Room Full Of People,” “Reminded/Weighed Down”